![]() ![]() Some movie studios sent rehearsal feeds from the latest Hollywood motion pictures to V-Disc. Radio networks sent airchecks and live feeds to V-Disc headquarters in New York. The selection was very varied - it included big band hits, some swing music, classical performances from eminent symphony orchestras, jazz, and some military marches. Soldiers who were tired of hearing the same old recordings were treated to new and special releases from the top musical performers of the day. The V-Discs were an instant hit overseas. By 1942, the Armed Forces Radio Service (AFRS) sent 16-inch, 33 rpm vinyl transcription discs to the troops from eight sources: special recording sessions, concerts, recitals, radio broadcasts, film sound tracks and commercial records. Bronson suggested the troops might appreciate a series of records featuring military band music, inspirational records that could motivate soldiers and improve morale. The V-Disc project actually began in June 1941, six months before the United States' involvement in World War II, when Captain Howard Bronson was assigned to the Army's Recreation and Welfare Section as a musical advisor. ![]() Not all releases were pressed of vinyl, many were of the much less durable shellac compound used for standard 78 RPM records of the day. Twelve-inch discs were used because, when 136 grooves per inch were cut, they could hold up to six and a half minutes of music. Navy discs were released between July 1944 and September 1945. These 12-inch, vinyl 78 rpm gramophone recordings were created for the Army between October 1943 and May 1949. Many popular singers, big bands and orchestras of the era recorded special V-Disc records. The records were produced for the use of United States military personnel overseas. V-Disc ("V" for Victory) was a morale-boosting initiative involving the production of several series of recordings during the World War II era by special arrangement between the United States government and various private U.S.
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